I felt like the owl mother to the whole family. I wanted to spread my wings and cover the whole nest, and the father in the neighboring tree as well. To keep them safe and protected, from predators and bad weather and falls, and from us.
I felt like the owl mother to the whole family. I wanted to spread my wings and cover the whole nest, and the father in the neighboring tree as well. To keep them safe and protected, from predators and bad weather and falls, and from us.
An interview with Mare McClellan
A collection of all the articles we’ve published over the past month, for those who like to savor their Magpies’ tidings as an issue.
“She sees herself as a tool for social activism and what she does with this tool is to shape into images of self-affirmation.”
Lola Alvarez Bravo, an oft-overlooked female artist, created profoundly personal works, which combined a radical humanism with experiments with the uncanny.
“And now, one year later, I would walk into an arrivals hall at Damascus airport filled with Syrian families crying and hugging separated sons, now-married daughters, and children that have never seen their homeland. So many tears.”
A collection of all the articles we’ve published over the past month, for those who like to savor their Magpies’ tidings as an issue.
A collection of all the articles we’ve published over the past month, for those who like to savor their Magpies’ tidings as an issue.
“He inscribed the slogan ‘use photography as a weapon,’ which underlines his faith in the impact of this new medium and its ability to denounce the perversities of the modern world: fascism, war and its atrocities, Nazism or capitalism.”
“Frequently claimed by critics as the best Venezuelan film ever made, El pez que fuma, (1977) was produced in the midst of the Oil Boom era and has since become a potent metaphor for the decadence at the height of Venezuela’s economic splendor.”