“From descriptions of individual feminine experience floating free of both social context and narrative hierarchy, to descriptions of individual feminine experience placed in radical juxtaposition against historical events, to explicitly feminist speculations about feminine experience”.
A collection of all the articles we’ve published over the past month, for those who like to savor their Magpies’ tidings as an issue.
“Spirits return because something in the social fabric was left unfinished—an unacknowledged injustice, a normalized cruelty, a promise broken within a rigid order that leaves little room for repair.”
“Surrounded by people who were almost entirely unrepresented in film, Davis found her calling. She returned to the US galvanised — she would dedicate her career to telling their stories.”
A collection of all the articles we’ve published over the past month, for those who like to savor their Magpies’ tidings as an issue.
“Cinema becomes an unofficial archive—not of triumph, but of evidence. It records not what we achieved, but what we allowed to disappear.”
A collection of all the articles we’ve published over the past month, for those who like to savor their Magpies’ tidings as an issue.
“The greatest films, I have always believed, are empathy machines. They allow us to see the world through eyes that are not our own.” A beautiful love letter to cinema by Amir Zadnemat
“Frequently claimed by critics as the best Venezuelan film ever made, El pez que fuma, (1977) was produced in the midst of the Oil Boom era and has since become a potent metaphor for the decadence at the height of Venezuela’s economic splendor.”
A collection of all the articles we’ve published over the past month, for those who like to savor their Magpies’ tidings as an issue.
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