“I am driven to document my surroundings to try to find a sense of place in the world.”
I am a filmmaker, illustrator, graphic designer and copy editor.
“I’m all the time studying what I can do for my people. You can’t do nothing for yourself unless you do it for somebody else first. You can’t bake a corncake for yourself unless you bake it for somebody else. It ain’t worth the effort. In this world we have to talk a little and hush a heap. Love is just like a vein in a spring: Keeps you with supplements to cherish up what you have.”
These phantasms are concocted from a little kernel of conscience, or guilt, or fear, or loneliness. Sometimes others see them, sometimes they don’t, they’re shifting and dreamlike, and they operate according to their own rules. They’re unreliable narrators. They’re wise or foolish, in turn; they speak in riddles, they speak a questionable truth, changing and suspect, like all truths.
It boggled my mind that all of these birds had been here, all along, so vivid, so loud. They weren’t new. I’d never bothered to look at them, I’d never taken the time to look up, and discover the colorful teeming world in the tangled branches of the trees.
When bells ring out the time, the time passes strangely. The space between tolls seems impossible, like it’s hanging, waiting for something. For me.
Hidden Fortress was an inspiration for George Lucas in the making of Star Wars, and it is every bit as thrilling and swashbuckling, full of adventure and romance. But whereas Star Wars seems to operate on an almost mythological idea of good and evil, Hidden Fortress is more nuanced.
A collection of all the articles we’ve published over the past month, for those who like to savor their Magpies’ tidings as an issue.
At the end of Voltaire’s Candide, Candide famously meets a character known only as “the Turk,” who tells him that he doesn’t concern himself with the affairs of the world, rather he […]
This is written not as an art historian, a poetry professor, or an academic or expert of any kind. This is written as a lover not a scholar. Though I’ve probably said too much, there’s so much more to say.
“I find that one has to take an almost Zen-like approach to image making with pinholes – you can’t rush the process! Your subject matter and compositional decisions need to be very carefully considered – although framing is usually imprecise. The simplicity is perfect as you can concentrate on the creative aspects of photography rather than being bogged down with technicalities.”