“The mischievous Raven existed at that time because he always had.”
“The mischievous Raven existed at that time because he always had.”
“Mastering the full range of subjects taught in medieval universities normally required many years of hard and expensive study. From the thirteenth century on, however, an anonymous work known as the Ars notoria promised, through diagrams, incantations, and arcane rituals, to rapidly transmit to scholars the total knowledge of anything they might need.”
“In the end, gendered insult reveals that language is one of the most durable carriers of inequality. It stores contempt in ordinary forms. It turns hierarchy into shorthand. It allows long histories of valuation to survive in single syllables and familiar phrases.”
A collection of all the articles we’ve published over the past month, for those who like to savor their Magpies’ tidings as an issue.
At its core, criticism asks a fundamental question: how do artistic works produce meaning?
A collection of all the articles we’ve published over the past month, for those who like to savor their Magpies’ tidings as an issue.
The Blazing World — via a dizzy mix of animal-human hybrids, Immaterial Spirits, and burning foes — tells of a woman’s absolute rule as Empress over a parallel planet. Emily Lord Fransee reflects on what the book and its author Margaret Cavendish can teach us about empire, gender, and imagination in the 17th century.
A collection of all the articles we’ve published over the past month, for those who like to savor their Magpies’ tidings as an issue.
“You cannot command the oceans, nor can you dictate the trajectory of the winds. But the mastery of the helm—the art of adjusting the sails—is, and forever remains, your sovereign right.”
“Much of what has the most meaning relates to small stories and moments. This isn’t all there is to it, but recognizing beauty is really a big part of that too, especially if it can be highlighted in places that are unexpected or overlooked.”