Zeinabu irene Davis
“Surrounded by people who were almost entirely unrepresented in film, Davis found her calling. She returned to the US galvanised — she would dedicate her career to telling their stories.”
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More Than Half a Poet: The Grasmere Journals
It’s a strange but probably not-so-strange thing that a beautifully-written account of the baking of bread, of illness and worry, of the beauty of the light on flying crows, the wind on the water, the glow through the mountains, would have such an enduring power to move us.
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An Abject Human Failure
The myriad examples of artwork created by children in internment camp settings are evidence that the human spirit is strong and malleable, even under the most extreme conditions.
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Raymond Darlington’s Expressionist Realism
“Although he personally describes his art as Afro-realism, when we look at it with historical circumspection, we will be more attuned to link it to the larger zeitgeist of a slew of known and unknown artists operating presently in the Internet and social media spaces, so that it almost feels like a movement.”
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April Issue, 2026
A collection of all the articles we’ve published over the past month, for those who like to savor their Magpies’ tidings as an issue.
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Esther Oladapo: Art, Fashion, Image-Making and the Language of the Body
“She sees herself as a tool for social activism and what she does with this tool is to shape into images of self-affirmation.”
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The Legendary Iranian Poet Who Gives Me Hope
“Read Forugh’s poems and you’ll find the very forces that shape our moment: misogyny, censorship, nativism, consumerism, the annihilating violence of war. Read her poems and you’ll find that they, like all the best poems, don’t merely offer a reprieve from the abuses and terrors of the world, but a repudiation of the forces that…
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Lola Álvarez Bravo: Picturing Mexico
Lola Alvarez Bravo, an oft-overlooked female artist, created profoundly personal works, which combined a radical humanism with experiments with the uncanny.
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Syria, I Went Back
“And now, one year later, I would walk into an arrivals hall at Damascus airport filled with Syrian families crying and hugging separated sons, now-married daughters, and children that have never seen their homeland. So many tears.”
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Lee Godie: Beauty in My Mind
“I always try to paint beauty, but some people say my paintings aren’t beautiful. Well I have beauty in my mind …”
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When the Revolution Comes, Our Songs Will Be Sung
Korean social movements are repurposing the tradition of minjung-gayo (people’s music) by creatively incorporating K-pop and messages about women’s struggles today.
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Fiction: The Valley
“For the most part the armies marched through the valley, so that they might do battle elsewhere, but some, like the soldiers of the crocked cross and the soldiers of the blood red banner, had stayed and fought and died, and in so doing they watered the rich, rocky soil with their blood, and their…
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March Issue, 2026
A collection of all the articles we’ve published over the past month, for those who like to savor their Magpies’ tidings as an issue.
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A Monumental Moment For the Masses
“A monument by nature pays homage to a person, place or event; however, as a public work of art, it should be reflective of democratic (not the political party, the ideology) principles like equality, equity and justice. White supremacist iconography, which are what the Confederate statues and sculptures are, is the antithesis of the three…
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An Interview With Pia De Girolamo: Bring Back the Light
An interview with painter Pia De Girolamo.
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Woodcuts Against Fascism from Shanghai to Mexico City
Eighty years after the victory of the World Anti-Fascist War, we remember how artists from China to Mexico have used art as a practice of solidarity and a tool for revolutionary social transformation.
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Magpies Mix Tape: Where I’m From
Songs about home: missing home, leaving home, memories of home, defining home.
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Robert S. Duncanson: Only Paint on His Mind
Duncanson’s skill established him not only in this county, but in England and throughout Europe as America’s first internationally renowned African American artist.
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Darkness at Noon by Arthur Koestler
“In a prose style that is accessible and credible, it dissects with scalpel-like precision all the hypocrisy of the totalitarian mindset and sounds a clear and timeless warning to us all about the dangers of placing ideology before humanity.”
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Fiction: The Brothers
“The boys were never apart, from the earliest they were inseparable. They slept in the same bed, ate from the same plate, fought the same fights.”
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Cinema as a Memory of Nature
“Cinema becomes an unofficial archive—not of triumph, but of evidence. It records not what we achieved, but what we allowed to disappear.”
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February Issue, 2026
A collection of all the articles we’ve published over the past month, for those who like to savor their Magpies’ tidings as an issue.
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The Great Unknown and the Unknown Great: Rediscovering artist and political activist Chuzo Tamotsu
His art was “One small way to express my love for peace and hatred for war … is to do what I can for any victims of aggression, wherever they may be.”
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The children are always ours
“The empire never intended that this testimony should be heard, but, if I hold my peace, the very stones will cry out… neither the citizen-subject within the gates nor the indescribable hordes outside it believe in the morality or the reality of the kingdom anymore — when no one, any longer, anywhere, aspires to the…
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John Heartfield, photomontage as a political weapon
“He inscribed the slogan ‘use photography as a weapon,’ which underlines his faith in the impact of this new medium and its ability to denounce the perversities of the modern world: fascism, war and its atrocities, Nazism or capitalism.”
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A Short Anti-Fascist Playlist
“To them, popular culture mattered, it was vibrant, and it was politically up for grabs.”
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ANEW Artist’s Alliance Group Show
A Group show of the beautiful artwork of the ANEW Artist’s Alliance.
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The Flickering Ghost: What Remains When the Projector Goes Dark?
“The greatest films, I have always believed, are empathy machines. They allow us to see the world through eyes that are not our own.” A beautiful love letter to cinema by Amir Zadnemat
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The Enduring Power of Minnie Evans
“By making and sharing such an extraordinary body of work, Evans determined that her world would not be lost.”
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The Smoking Fish (El pez que fuma, 1977)
“Frequently claimed by critics as the best Venezuelan film ever made, El pez que fuma, (1977) was produced in the midst of the Oil Boom era and has since become a potent metaphor for the decadence at the height of Venezuela’s economic splendor.”
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January Issue, 2026
A collection of all the articles we’ve published over the past month, for those who like to savor their Magpies’ tidings as an issue.
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