No Music On
A behemoth polemic from musician James Quentin Devine.
The Mā-hua-tsìng & The Strait
Set between the muddy paddy fields of Taiwan and a cold college room in California, this story weaves together Taiwanese bird ecology , traditional Taiwanese street delicacies and a linguistic misunderstanding. It explores how food, nature, and intergenerational love can cross geographical and historical oceans when words fail.
The Heptagon Project
Heptagon is an audio project exploring social, cultural, and artistic avenues within the limitless genre of electronic music.
The West 79th St. Laundromat
“Sometimes I wonder, perhaps naively, if all the problems of the country could be solved by sitting the folks in Washington down at a table with a lump of clay and some encouragement. They can bring their dirty laundry if it helps them find the time.”
Judith Scott: Uncovering innate talent
“Her work is an abstract reflection of her life. The colourful, idyllic childhood, the loneliness and isolation of institutional care and, above all, the connection with her sister Joyce.”
“The Child in Me”: How Tomi Ungerer’s Childhood Informed His Books
“He grew up in Strasbourg, Alsace, and when he was eight years old the city was taken over by the Nazis. Tomi and his family spent the war under occupation, and although they were spared the worst effects of war, the saturation of Nazi propaganda and the reports of what was happening further afield left an indelible mark on his consciousness.”
Criticism in World Literature and Cinema: A Unified Perspective
At its core, criticism asks a fundamental question: how do artistic works produce meaning?
August Issue, 2026
A collection of all the articles we’ve published over the past month, for those who like to savor their Magpies’ tidings as an issue.
Do you like to dance for free? Letter From the Editor, August, 2026
Midsummer ramblings.
The musical conquests of Goopy and Bagha
“Warmth and empathy are qualities found in all of Ray’s movies, but this genre allows him to display them in their rawest, least guarded form.”
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