The Apocalyptic Image
I use the term here deliberately to recover this older semantic association with disclosure, rather than using it in the narrower modern sense of apocalyptic cinema as a genre concerned primarily with catastrophe, end times, or eschatological judgment. At the same time, the term should not be detached from the longer history of apocalyptic discourse, in which revelation is often connected to transcendent, cosmological, or eschatological visions.
Repetition, Resistance, and Remembering in the Prints of Elizabeth Catlett
“Through appropriation, the vitality of Black history, literature, and poetry—and the importance of preserving and propagating this legacy—are interwoven into Catlett’s imagery, serving as both an expression of resilience and a force for resistance.”
October Issue, 2026
A collection of all the articles we’ve published over the past month, for those who like to savor their Magpies’ tidings as an issue.
The fire tells a cloud story: Letter from the editor, October, 2026
Trying the strength of the thin yet oddly strong threads that connect my thoughts like spider webs.
Artificial Intelligence: Ars Notoria and the Promise of Instant Knowledge
“Mastering the full range of subjects taught in medieval universities normally required many years of hard and expensive study. From the thirteenth century on, however, an anonymous work known as the Ars notoria promised, through diagrams, incantations, and arcane rituals, to rapidly transmit to scholars the total knowledge of anything they might need.”
Fiction: Every Dream Come True
“And though it’s always sweet sorrow to part, you know you’ll always remain in my heart, Good night, sleep tight and pleasant dreams to you, Here’s a wish and a prayer that every dream comes true.”
Mykyta Ryzhykh: Three Poems
3 poems from Mykyta Ryzhykh
Being or Living
In a world that constantly pushes us toward speed, replacement, adaptation, and whatever comes next, perhaps the most meaningful form of resistance is not to stop time. It is to commit enough time to something that it can begin to matter.
Why Human Painting still Matters in the Age of AI
“A human painting is produced inside a life. The painter gets tired. Attention shifts. A hand hesitates. A decision made in the morning may be reconsidered at night. A mark can be the result of confidence, frustration, correction, discovery, or fatigue. Some of these conditions are visible in the final work and some are only indirectly present, but they belong to its formation. The painting has duration.”
Thirty Minutes After Thunder: a Poem
“Maybe that is what a life is:
learning which deadlines are real,
which are merely printed,
which walls deserve a name,
which storms are not asking
to be overcome.”
