The Legendary Iranian Poet Who Gives Me Hope
“Read Forugh’s poems and you’ll find the very forces that shape our moment: misogyny, censorship, nativism, consumerism, the annihilating violence of war. Read her poems and you’ll find that they, like all the best poems, don’t merely offer a reprieve from the abuses and terrors of the world, but a repudiation of the forces that make those abuses and terrors possible: ignorance and political regimes for which ignorance has been and will always be their life’s blood.”
Lola Álvarez Bravo: Picturing Mexico
Lola Alvarez Bravo, an oft-overlooked female artist, created profoundly personal works, which combined a radical humanism with experiments with the uncanny.
Syria, I Went Back
“And now, one year later, I would walk into an arrivals hall at Damascus airport filled with Syrian families crying and hugging separated sons, now-married daughters, and children that have never seen their homeland. So many tears.”
Darkness Visible: An Interview With Joel Adas
A conversation with painter Joel Adas.
Lee Godie: Beauty in My Mind
“I always try to paint beauty, but some people say my paintings aren’t beautiful. Well I have beauty in my mind …”
When the Revolution Comes, Our Songs Will Be Sung
Korean social movements are repurposing the tradition of minjung-gayo (people’s music) by creatively incorporating K-pop and messages about women’s struggles today.
Fiction: The Valley
“For the most part the armies marched through the valley, so that they might do battle elsewhere, but some, like the soldiers of the crocked cross and the soldiers of the blood red banner, had stayed and fought and died, and in so doing they watered the rich, rocky soil with their blood, and their sacrifice gave nourishment to the legends of the nationalist and internationalist alike.”
March Issue, 2026
A collection of all the articles we’ve published over the past month, for those who like to savor their Magpies’ tidings as an issue.
Letter From the Editor: I saw hope outside the window
March ramblings.
A Monumental Moment For the Masses
“A monument by nature pays homage to a person, place or event; however, as a public work of art, it should be reflective of democratic (not the political party, the ideology) principles like equality, equity and justice. White supremacist iconography, which are what the Confederate statues and sculptures are, is the antithesis of the three aforementioned tenets.”
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