How to Love an Owl
I felt like the owl mother to the whole family. I wanted to spread my wings and cover the whole nest, and the father in the neighboring tree as well. To keep them safe and protected, from predators and bad weather and falls, and from us.
History into Fear: The Ghosts of Edo
“Spirits return because something in the social fabric was left unfinished—an unacknowledged injustice, a normalized cruelty, a promise broken within a rigid order that leaves little room for repair.”
Mare McClellan: The Form is Revealed in the Process
An interview with Mare McClellan
Zeinabu irene Davis
“Surrounded by people who were almost entirely unrepresented in film, Davis found her calling. She returned to the US galvanised — she would dedicate her career to telling their stories.”
More Than Half a Poet: The Grasmere Journals
It’s a strange but probably not-so-strange thing that a beautifully-written account of the baking of bread, of illness and worry, of the beauty of the light on flying crows, the wind on the water, the glow through the mountains, would have such an enduring power to move us.
An Abject Human Failure
The myriad examples of artwork created by children in internment camp settings are evidence that the human spirit is strong and malleable, even under the most extreme conditions.
Raymond Darlington’s Expressionist Realism
“Although he personally describes his art as Afro-realism, when we look at it with historical circumspection, we will be more attuned to link it to the larger zeitgeist of a slew of known and unknown artists operating presently in the Internet and social media spaces, so that it almost feels like a movement.”
April Issue, 2026
A collection of all the articles we’ve published over the past month, for those who like to savor their Magpies’ tidings as an issue.
Letter From the Editor, April, 2026: Go along so
Spring ramblings.
Esther Oladapo: Art, Fashion, Image-Making and the Language of the Body
“She sees herself as a tool for social activism and what she does with this tool is to shape into images of self-affirmation.”
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