Three Stops

“The cemetery stood on an island. People said that one day the island would disappear beneath the water. My father wanted to record the place before that happened. So we began keeping notes and drawings of everything we noticed there.”

The Apocalyptic Image

I use the term here deliberately to recover this older semantic association with disclosure, rather than using it in the narrower modern sense of apocalyptic cinema as a genre concerned primarily with catastrophe, end times, or eschatological judgment. At the same time, the term should not be detached from the longer history of apocalyptic discourse, in which revelation is often connected to transcendent, cosmological, or eschatological visions.