Very grateful to share this wonderful interview with the remarkable Michael Ward.
Grace in the Ordinary: An Interview with Michael Ward
April Issue, 2024
A collection of all the articles we’ve published over the past month, for those who like to savor their Magpies’ tidings as an issue.
The Acceptance of Sorrow: An Interview with Wormwood Stubbs
We are so grateful for the chance to talk to Wormwood Stubbs about his remarkable paintings.
A Dialog With Place: An Interview with Ron Donoughe
“I want the viewer to become part of the scene through memory and experience.” An interview with Pittsburgh painter Ron Donoughe.
February Issue, 2024
All of the articles from the past month for people who like to savor their magpies’ tidings as an issue.
To Be a Part of This World: An Interview With Toby Rosenbloom
“Every little painting is just an attempt to capture a feeling.” An interview with Toby Rosenbloom
I Am Because You Are: An Interview with Tracy Jackson
Tracy Jackson’s work is full of questions: asked, pondered, answered, and asked again. A fine teeming network of ideas and philosophy ties the images together: ideas about what it means to interact with other humans and with the natural world around us, and about the transformative power of compassion, community, nonconformity, and creativity.
Featured Artist: Brian O’Leary
There is a tactile vibrance to the plein air paintings of Brian O’Leary: You can feel the layers of light and leaves and rock and water. You can feel the shadows moving, […]
Everything is Connected: An Interview with Anouk Rugueu
“My deepest self is connected to people and creatures that I will never meet or see. I think that each separate part knows and carries the whole in a way that is not yet accessible to our mental understanding.” An interview with the remarkable Anouk Rugueu
The World of Pat Perry
But these people are working on something, they’re building something that defies understanding. In rusts and greys, the vast spaces of dried grass and gloomy sky are weighed down by small clusters of human clutter. And by people operating on a singularly American level of absurdity to respond to the lucid invitation to live and to create, in the very midst of the desert.
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