An interview with Mare McClellan
An interview with Mare McClellan
The myriad examples of artwork created by children in internment camp settings are evidence that the human spirit is strong and malleable, even under the most extreme conditions.
“Although he personally describes his art as Afro-realism, when we look at it with historical circumspection, we will be more attuned to link it to the larger zeitgeist of a slew of known and unknown artists operating presently in the Internet and social media spaces, so that it almost feels like a movement.”
A collection of all the articles we’ve published over the past month, for those who like to savor their Magpies’ tidings as an issue.
Lola Alvarez Bravo, an oft-overlooked female artist, created profoundly personal works, which combined a radical humanism with experiments with the uncanny.
A conversation with painter Joel Adas.
“I always try to paint beauty, but some people say my paintings aren’t beautiful. Well I have beauty in my mind …”
A collection of all the articles we’ve published over the past month, for those who like to savor their Magpies’ tidings as an issue.
“A monument by nature pays homage to a person, place or event; however, as a public work of art, it should be reflective of democratic (not the political party, the ideology) principles like equality, equity and justice. White supremacist iconography, which are what the Confederate statues and sculptures are, is the antithesis of the three aforementioned tenets.”
An interview with painter Pia De Girolamo.