“The room was small, dim and a desiccated yellow colour but the handshake and welcome were warm and clearly genuine. The man who once held the most powerful job in the world was dressed in casual shades of black and grey.”
“The room was small, dim and a desiccated yellow colour but the handshake and welcome were warm and clearly genuine. The man who once held the most powerful job in the world was dressed in casual shades of black and grey.”
A collection of all the articles we’ve published over the past month, for those who like to savor their Magpies’ tidings as an issue.
Some philosophy, photography, and a Mix Tape from poet and photographer Michele Farinelli.
These photographs were made in the detention center and hospital wards of Ellis Island.
The echoed silence one experiences while photographing in these empty spaces is an embodied one. These are transitional spaces, in between what was and what is yet to be, between light and shadow, hope, and regret.
“And unfortunately, in our strange and uncertain times, maybe a brutal “it can happen here” wake-up call is what we need.”
A collection of all the articles we’ve published over the past month, for those who like to savor their Magpies’ tidings as an issue.
“Each moment is transient, gone as quickly as it appears, the journey playing out like an unedited film.”
Brassaï declares that the “bastard art of the streets of ill repute that does not even arouse our curiosity, so ephemeral that it is easily obliterated by bad weather or a coat of paint, nevertheless offers a criterion of worth. Its authority is absolute, overturning all the laboriously established canons of aesthetics”
“Photography is enough in itself for existing, and so are the many advocacies of Bliss’ photography.”
We were grateful for the opportunity to ask Don Julien a few questions about his photography.