
During the pandemic, Matt Cotten reflected on his time in Kilifi. He was finally able to return in September 2022. Here is the before and after.
During the pandemic, Matt Cotten reflected on his time in Kilifi. He was finally able to return in September 2022. Here is the before and after.
Choreographed, the figures evolve from the efforts they make to define the precipice of engagement. The rhythms of awareness can lead to celebration or exploration.
Suggestions to enhance your daily drawing experience–keep your notebook ready and your pen filled!
You can tell that things happen in this place because it feels like you’ve been there, and that’s the bones of an engaging narrative. I call it a heartbeat.
It speaks to the things that aren’t said. There’s a story that’s not being told, which adds a layer of interest to the pieces
A collection of all the articles we published last month for those who like their magpies’ tidings as an issue.
Most of my videos are of lost and forgotten places, and while visiting these places I have often pondered the people that once inhabited them. Who were they…where are they? To a large extent they are here. These are the inhabitants of my “drowned worlds.”
There’s a lovely lightness to the strips, a freedom, but as with all the best comic strips, (or all my favorite) underneath the lightness is a depth of honesty and humanity.
Gabriela Dombille’s thought-provoking Preserve Collection asks questions about our relationship to nature and about our often-deadly fascination with the mechanics of beauty and of life itself.
On one level, Bottle Village was, literally, a constructive approach to transforming discard and sorrow into something more.