This post is a tribute to the work and passion of an artist I almost missed…Seventy years after Sternberg marveled at the industrial might of Bethlehem Steel, I was there marveling at its decay
“I like the pictures to push and pull at their perimeters, the ghostly presences within them bound in a landscape I could not have imagined when I first began the painting.”
A collection of all the articles we’ve published over the past month, for those who like to savor their Magpies’ tidings as an issue. We’re really honored this month to share photography from Paris, art from Ottawa, a brilliant article written in Tokyo about a Ugandan record label, along with beautiful poetry, memoir, and more.
This craftsman, as he likes to define himself, photographer and shooter, freezes a free and wild nature with the sandstone of his wanderings across the continents. Then he returned it on paper with coffee toning, complex emulsions and rare treatments.
My work is blasphemous: I take symbols of proper, normative femininity and make them transgressive within contexts in which the female protagonists resist and reinvent their meanings.
With collage, all things are possible. In this surreal realm of juxtaposition and fantasy, new worlds are born.
“I am concerned about getting the idea on canvas. So I just go with the flow.”
Julia Soboleva’s images seem to come from another world, a world that lures you in, ominous and irresistible. The light is different here: eerie, but so beautiful, glowing through cracks in the darkness.
Memories of a trip to the Venice Architecture Biennale and Parisian cafés and museums. And some thoughts on travel in a time of Covid.
Sari Lennick’s bright vibrant collages combine pages from art school aesthetic theory texts with iconic irreverent hip hop and pop song lyrics.