“Spirits return because something in the social fabric was left unfinished—an unacknowledged injustice, a normalized cruelty, a promise broken within a rigid order that leaves little room for repair.”
History into Fear: The Ghosts of Edo
The Flickering Ghost: What Remains When the Projector Goes Dark?
“The greatest films, I have always believed, are empathy machines. They allow us to see the world through eyes that are not our own.” A beautiful love letter to cinema by Amir Zadnemat
She Packs a Punch: Unmasking a Feminist History of Luchadora Moviess
“She underscores their relevance as social, cultural, and economic barometers for a changing Mexico, countering the historical amnesia that surrounded this vibrant cinematic heritage.”
Fruits of Labor: The Beginning of The Cinema of Moral Concern
Agnieszka is battling a country that refuses to accept its past, and thus cannot learn from its repeated mistakes.
The Ghosts of Japanese Folklore
Yūrei, in their varied forms, are potent symbols of the simple and enduring universal human need for right over wrong.
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