“I know that part of my attraction to a lone old car on some quiet urban street or sitting out in the desert is because it plays into a fantasy of a time after the car.”
Auto Anthropology
The Dowry: Federica Armstrong
The dowry becomes a cathartic process of mourning, remembrance and consolation.
Cristina Finotto: Poems and Photographs
Poetry and photography by Cristina Finotto, of the Po delta.
Alternative Process Photography – Amy Marie Gladding
“I am driven to document my surroundings to try to find a sense of place in the world.”
Pinhole Photographs: Harvey Mills
“I find that one has to take an almost Zen-like approach to image making with pinholes – you can’t rush the process! Your subject matter and compositional decisions need to be very carefully considered – although framing is usually imprecise. The simplicity is perfect as you can concentrate on the creative aspects of photography rather than being bogged down with technicalities.”
Fortunes in Apples: Photo Essay by Mark Ludak
“Photographing places particularly hard hit by the transition from an industrial and agrarian economy to an economy of unfettered consumption on the margins of mainstream society is a story I feel compelled to tell.”
Peter Ydeen: Easton Nights
The night has its own visual rules, its own color wheel, and its own ethereal presence. Here, in the small hours, the world we see as mundane, cascades into dream.
Letter from the Editor: January
We’re all gleaners, finding beauty and meaning and sustenance in the unlikely, the odd, the overlooked. We’re all magpies, lining our nests with beauty where we find it.
Things Were Never Normal
This exhibition highlights “third spaces”: components of an area’s social infrastructure, communal spaces outside of home and work such as taverns, church picnics, diners, restaurants, and movie theaters—sites where we might gather, if we could agree.
Chicken Castle
These observations and the pictures taken from them don’t speak in specifics, but when you are in a place where people, over time, have been able to imprint parts of themselves on the built environment, you can feel the city speaking to you in some way, though the language is only partly translatable or transferable.
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