“Sometimes I’m following the light. Sometimes I’m following the clouds. And sometimes I’m looking for something I do not know beforehand.” An interview with Torsten Richter
All I Had to Do Was Listen: An Interview with Torsten Richter
Moments of Anarchy: An Interview With Mark Tamer
“I embrace the accidents and errors as they not only remind us how vulnerable and delicate we are, they can often show us something new. It is at the point of breakdown that the medium begins to reveal itself. Through glitches and mistakes we get to see the base elements, the very construction of the material that creates those illusions of reality, the apparatus of photography itself.”
All that is Solid
“A starting point, for artists or for anyone else, might be simply learning to look around where you live now. – Lucy Lippard” Photographs and their stories from Michael Acker.
An Obscure Field of Vision
A beautiful collaborative work of two photographers & poets, this haunting combination of film, words, and voice was created on a camera obscura made of recycled parts.
An Interview with Ellen Wallenstein
“For me, photographs are always about time, always about the past, as soon as they are made. So they are about preserving life, or an illusion thereof — people, places, parties, events, celebrations, and even death.”
July Issue, 2023
A collection of all the articles we’ve published over the past month, for those who like to savor their Magpies’ tidings as an issue.
The Allegorist’s Vision of Alchemy and Delusions (Mordancages)
In Appalachian folklore, there is a belief that through witchcraft one can shapeshift, changing one’s physical form … The photographs in this project, which also shapeshift, are evidence of my sorcery.
An Interview with Matt Roberts
So the sense of the ephemeral quality of life and the knowledge that the present and soon-to-be-gone can inhabit the same frame may come to play in my work.
An Interview With Charis Ioannou
“The delivery of a seasoned jazz musician is often clear and confident even if the actual musical content is very complicated. This can also be translated into street photography: a complex scene should be portrayed with great clarity and often simplicity even if there are lots of intricate actions and nuances taking place.”
An Explanation of Sympathetic Magic: A Photo Essay
I too hope to raise the dead; only for me, it is symbolically through photography.
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