A collection of all the articles we’ve published over the past month, for those who like to savor their Magpies’ tidings as an issue.
August Issue, 2024
Lunch Poems
“Imaginary one-to-one conversations with these ghosts, so to speak, allow me to invest in the possibility that within this divided nation, we might, one day, understand and respect each other.” Beautiful photographs from Leah Frances
The Alchemy of Grief: Moon Horse and Sky
“Pigments from a rock collected under her horse’s hooves are woven together with ochre earth pigments from France, the same ochres used by Van Gogh in his paintings of sunlit fields.” An interview with Santa Fe photographer and painter Stella Maria Baer by Alice Courtright
Featured Photographer: Avard Woolaver
“We use our creative tools as extensions of ourselves; they help us understand and define our place in the world. For me, having a camera in my hand at all times helped me remember. You only get to do this once. We have to take time and see it, as clearly as we can.”
Peter Ydeen: Commuter Motions
Commuter Motions is a photographic series that attempts to frame the intangible spirit of our urban environment through the capture of a commute.
May Issue, 2024
A collection of all the articles we’ve published over the past month, for those who like to savor their Magpies’ tidings as an issue.
Shifting Skies: The Photography of Patrick Joust
Recent work from photographer Patrick Joust.
February Issue, 2024
All of the articles from the past month for people who like to savor their magpies’ tidings as an issue.
Inside the Camera Obscura: An Interview with Michele FariNelly
“It’s art to cook, garden, dance, sing, play an instrument, and compose music. It’s art to create clothes from a piece of fabric or to “see” a piece of furniture within a pile of wood. If we have the chance to imprint our stylistic signature in what we do, we are present in the works produced, despite our absence.”
Drawing with Light: An Interview with Ralf Jacobs
There are patterns all around us that we recognize in Jacobs’ work. Similarly, with music, we respond to sound waves, we can’t see them but they affect our emotions. Looking at Jacobs’ drawings, it feels that he’s captured something no one else has: A new way of looking at something that we always see but don’t always notice.
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