“I want the viewer to become part of the scene through memory and experience.” An interview with Pittsburgh painter Ron Donoughe.
A Dialog With Place: An Interview with Ron Donoughe
Simple Pleasures: The Art of Doris Lee
“Doris Lee’s example shows us that humor can be as legitimate as seriousness, simplicity as valid as complexity, joy as rational a response to one’s time as despair — and that they can and do exist together at the same time.”
George Bellows in New York: Rambles and Excavations
As a flâneur of insatiable curiosity, he abandoned the main boulevards for the lushness of Riverside Park, the crowds at Madison Square, the excavation site for Pennsylvania Station, the kids at play on Coney Island, the private clubs where illegal boxing could be staged for paying members, and the “river rats” of the East River.
The ANEW Artists’ Alliance Third Annual Group Show
“When you find other people who like to do what you like to do and have the same visions, you want to be with them. You feel like you’re doing something worthwhile.” – Emery Williams
To Be a Part of This World: An Interview With Toby Rosenbloom
“Every little painting is just an attempt to capture a feeling.” An interview with Toby Rosenbloom
An Interview with Liz Johnson
“I like to introduce something remarkable into ordinary, everyday circumstances because I think that there are always interesting things happening all around us––and sometimes some very surreal things.”
Featured Artist: Lauren Mary Barnett
“Even if it’s just the way the light is hitting a glass or a strange assortment of items on a table or power lines swooped in front of a house. And really these moments of beauty can be fleeting so it feels nice to capture them somehow. “
An Interview With Suzy Birstein
I felt the need to create beautiful images, nurturing, reflecting, mentoring. The Tsiporas became pregnant – pregnant with life, pregnant with hope and appreciation for all we have had and need to continue to create – To heal our beautiful world…
Paintings Found Through Painting
“I like the pictures to push and pull at their perimeters, the ghostly presences within them bound in a landscape I could not have imagined when I first began the painting.”
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