“…a new aesthetic, one of protest, full of popular longings, and that lives in the full multitude of rebellion, is strong and great and captures us with the emotion of battle — this is life.”
“…a new aesthetic, one of protest, full of popular longings, and that lives in the full multitude of rebellion, is strong and great and captures us with the emotion of battle — this is life.”
“When we view the pictures, we are drawn into a region of borders, boundaries, and limits. When asked about this idea behind his photography, Oladele calls it the unique African way of looking.”
A collection of all the articles we’ve published over the past month, for those who like to savor their Magpies’ tidings as an issue.
It also reminds me that regardless of thoughtful preparations there is often a point – not always visible – that once passed steals your ability to shape the future, leaving you without alternative, a passenger on the deaf and indifferent winds of fate.
“Through Horna’s pictures, we have access to her inner world, imagination, spiritual beliefs and practices as well as those of the artists she worked so closely with.” A fascinating article about Kati Horna by art historian Olivia Garro.
Ellen Harvey’s paintings from the New York Beautification Project become a testament to the strange beauty of the ephemeral, even in the way everything decays or gets covered over with time, becoming a part of the shifting layers of history, of the life of the city.
We are grateful to share a selection of stories from the project.
Morgan Totah of Handmade Palestine interviews Palestinian artist Rand Dabboor.
“However, there is a need to reappraise Patty-Jo ‘n’ Ginger because in the span of each panel, Ormes’ voice rises to address how events such as McCarthyism and the murder of Emmett Till affected Black Americans.”
A poem from South African poet and journalist poet Gershwin Wanneburg.
A collection of all the articles we’ve published over the past month, for those who like to savor their Magpies’ tidings as an issue.