With clouds, within seconds, you’re working from your memory of a thing that is as nebulous and beautiful and temperamental as memory itself. As confusing as memory, seen from within the mist, as perplexing seen from afar.
With clouds, within seconds, you’re working from your memory of a thing that is as nebulous and beautiful and temperamental as memory itself. As confusing as memory, seen from within the mist, as perplexing seen from afar.
“But maybe the image can serve as a metaphor — not just for that dusty street, or the ever-expanding city, or the long-suffering country — but for the sad state of a world capable of so much more.”
In Depression-era Appalachia, a tiny, feisty woman takes a stand for the vision of nature she believes in.
The river smell becomes the rain smell, and the rain comes, as it always does, expected but surprising, changing everything.
We would suggest that there is at work in this body of vulgar knowledge a form of collective intelligence about this existence in which we find ourselves, a kind of road map of life compiled by those who have gone before.
“Why are you acting like such a fool?”
I nod my head and don’t answer.
I could say something, but why?
Do you want to know what’s in my heart?
From the beginning of time: just this! just this!
Commuter Motions is a photographic series that attempts to frame the intangible spirit of our urban environment through the capture of a commute.
Mary Granville Delany Invented The Art Of Mixed Media Collage At Age 71.
Recent work from photographer Patrick Joust.
The idea, a loose brief, of following the Nile to Aswan, close to where the river enters Egypt from Sudan, I would talk to farmers and fishermen and those whose livelihood depends on the seemingly eternal flow of the longest river in Africa. I wanted to learn of the potential risks posed by climate change on rural Egypt. I also wanted a photo or two, and, an anecdote would be good.