
“Photographing places particularly hard hit by the transition from an industrial and agrarian economy to an economy of unfettered consumption on the margins of mainstream society is a story I feel compelled to tell.”
“Photographing places particularly hard hit by the transition from an industrial and agrarian economy to an economy of unfettered consumption on the margins of mainstream society is a story I feel compelled to tell.”
A collection of all the articles we’ve published over the past month, for those who like to savor their Magpies’ tidings as an issue.
What is the use of talking? I’ve been thinking about this so much, though in my head it’s not just talking, it’s any manner of creating. Any manner of recording what you see and feel, of capturing moments of your lives and dreams, or the lives and dreams of the people in your head.
This mill is not only the last standing Klotz mill, it is the last of its kind. Its doors were closed in 1957, and today it stands remarkably intact: 48,000 square feet of mill floor, 360 twisting, winding, and spinning machines, steam and drying chambers, and tons of parts and accessories – left exactly as they stood 56 years ago.
I have been alone, I have been afraid. I have had few moments of love and warmth, but I have poured myself into them completely. There is no wise love.
But this film is about more than food, it’s about the desire to create, and food just happens to be Remy’s medium
They are works that make you feel happy. There is a level of complexity in the music that your brain can grasp immediately.
It’s so simple, in the end, it’s so raw and so sweet: to know one another and to love one another, this is what will wake us from the hypnosis.
I think there is a rather subversive character of animation that can be used … as a strategy to take a reality, maybe an oppressive one, and show a different perspective over it, by the creation of other realities
Time runs backwards and forwards, memories mingling with anticipation, and saints occupy the same strange space as sufferers, glowing in the corner of their visions.