
Both films are about excess and waste, beauty and love. They are about the strength and fragility of people – in body and spirit.
Both films are about excess and waste, beauty and love. They are about the strength and fragility of people – in body and spirit.
“I think I then immediately boxed my heart away and tightened the great padlock over my chest so that I couldn’t feel anything that would undermine or dissolve me…”
The heart of the film is the unlikely friendship between Bruno and Roberto.
A collection of all the articles we’ve published over the past month, for those who like to savor their Magpies’ tidings as an issue. We’re really honored this month to share photography from Paris, art from Ottawa, a brilliant article written in Tokyo about a Ugandan record label, along with beautiful poetry, memoir, and more.
It’s deceptively spare and simple in a manner that hides a genius of elegance and grace, which places it in the tradition of Ozu or Rohmer.
Francois Truffaut: “Our New Wave would never have come into being if it hadn’t been for the young American Morris Engel, who showed us the way to independent production with his fine movie The Little Fugitive.”
They’re not meant to last very long, these votives, these penny candles.
“Most of my traumatic moments, my lonely moments, my brave moments have been hidden inside my personal soundtrack. The music made it all bearable.”
They were at the height of their power, where they would stay for another 4 years. I was at the depths of my weakness, and forever afterward lived in fear of repeating it. I built my heart’s castle wall from the mud of Selmeston village. I wouldn’t start to unravel it until I was in my mid-fifties.
I could imagine the filmmakers watching the dailies and brimming over with gladness that they’d captured the shots they’d captured, and then adding just the right soundtrack, editing it perfectly, and sitting in the dark, full of joy, watching the finished movie.