“It’s easy for your art career to get derailed. The important thing is to get it back on track.”
“It’s easy for your art career to get derailed. The important thing is to get it back on track.”
“The Lord with the curved trunk and a mighty body, who has the lustre of a million suns, I pray to thee Oh Lord, to remove the obstacles from all the actions I intend to perform.” An exploration of paintings of Ganesha from the Pahari school.
A collection of all the articles we’ve published over the past month, for those who like to savor their Magpies’ tidings as an issue.
Brassaï declares that the “bastard art of the streets of ill repute that does not even arouse our curiosity, so ephemeral that it is easily obliterated by bad weather or a coat of paint, nevertheless offers a criterion of worth. Its authority is absolute, overturning all the laboriously established canons of aesthetics”
Whether I’m commenting on politics or the hypocrisy of organized religion or societal ills in general, my art is like a bullhorn used to get attention about things that concern me.
Yūrei, in their varied forms, are potent symbols of the simple and enduring universal human need for right over wrong.
A collection of all the articles we’ve published over the past month, for those who like to savor their Magpies’ tidings as an issue.
Historians of American art are engaged in a search for ways in which to speak meaningfully and broadly about contested traditions and about both the promises and limits of the country’s national iconography and history, to a nation fragmented along racial, ethnic, class, and religious lines.
“Whatever had happened—the way the clouds moved, where the light shone, what was going through my head, that radiance—was another chapter in a story that began a half-century ago.”
A collection of all the articles we’ve published over the past month, for those who like to savor their Magpies’ tidings as an issue.