And the idea of living a pure heroic life dedicated to your art is naturally selfish and few attempt it without collateral emotional damage to their nearest and dearest. I get it and maybe that is why the songs move me so much.
They are works that make you feel happy. There is a level of complexity in the music that your brain can grasp immediately.
Following the death of Gary Brooker at the age of 74 last week, I feel compelled to pay tribute to his finest song, or perhaps his second finest song. Obituaries have been full of praise for the songwriter and lead vocalist of Procol Harum, concentrating on his first celebrated hit single A Whiter Shade Of Pale which reached Number One in the UK singles charts in the Summer of Love, July 1967. This piece shines a spotlight on a lesser -known song which is nonetheless full of power and emotion.
I’ve often wondered in subsequent years whether a career in acting was The Right Thing To Do. I have a complex relationship with my ghost career as a barrister, and often peek over to see how he’s doing.
“I think I then immediately boxed my heart away and tightened the great padlock over my chest so that I couldn’t feel anything that would undermine or dissolve me…”
“It was a terrifying record, an exhilarating record, it was everything I ever hoped to be, everything I feared, a prophet crying in the wilderness”
“Most of my traumatic moments, my lonely moments, my brave moments have been hidden inside my personal soundtrack. The music made it all bearable.”
They were at the height of their power, where they would stay for another 4 years. I was at the depths of my weakness, and forever afterward lived in fear of repeating it. I built my heart’s castle wall from the mud of Selmeston village. I wouldn’t start to unravel it until I was in my mid-fifties.