An excerpt from Bonnie Yochelson’s wonderful biography of photographer Alice Austen.
Too Good to Get Married
The Photo I Shouldn’t Have Taken.
“But maybe the image can serve as a metaphor — not just for that dusty street, or the ever-expanding city, or the long-suffering country — but for the sad state of a world capable of so much more.”
Black on Black: Louis Draper Made His Subjects Visible
“For Louis Draper, who grew up in segregated Richmond, Virginia, in the 1930s and ’40s, navigating expectations about photography’s realism posed a unique challenge.”
June Issue, 2025
A collection of all the articles we’ve published over the past month, for those who like to savor their Magpies’ tidings as an issue.
Alchemist’s Dream
“I hope this series will be a drop that makes a tiny ripple in people’s deep within, and take them to the wonderful journey of imagination.”
Conceptual Body Symbols in Kanayo Kester’s Portraiture Practice
“… juxtaposing members of a family from different generations touches something vulnerable and mnemonic about the relationship between humanity and Time.”
Philadelpha Sketchbook: Personal Eucharist
“In person, there was a beauty to the impossibility of fitting all of its warm earthy columns and ornate weathered teal domes into your frame of vision at once.”
May Issue, 2025
A collection of all the articles we’ve published over the past month, for those who like to savor their Magpies’ tidings as an issue.
There are levels to this darkness: Two Poems
Two powerful poems by Gershwin Wanneburg. Difficult subjects, innovative forms.
A Tale of Two Presidents
“The room was small, dim and a desiccated yellow colour but the handshake and welcome were warm and clearly genuine. The man who once held the most powerful job in the world was dressed in casual shades of black and grey.”
magpiesmagazine.com 