My work is blasphemous: I take symbols of proper, normative femininity and make them transgressive within contexts in which the female protagonists resist and reinvent their meanings.
My work is blasphemous: I take symbols of proper, normative femininity and make them transgressive within contexts in which the female protagonists resist and reinvent their meanings.
With collage, all things are possible. In this surreal realm of juxtaposition and fantasy, new worlds are born.
“I am concerned about getting the idea on canvas. So I just go with the flow.”
Julia Soboleva’s images seem to come from another world, a world that lures you in, ominous and irresistible. The light is different here: eerie, but so beautiful, glowing through cracks in the darkness.
Memories of a trip to the Venice Architecture Biennale and Parisian cafés and museums. And some thoughts on travel in a time of Covid.
Sari Lennick’s bright vibrant collages combine pages from art school aesthetic theory texts with iconic irreverent hip hop and pop song lyrics.
A conversation with anti-folk hero Jeffery Lewis.
Roma Trilogy: a poem and paintings from Pia De Girolamo
Patrick Joust’s urban photography seems to capture a moment between night and day and a place between spaces humans have made.
A meditation on hate-based violence.