“Doris Lee’s example shows us that humor can be as legitimate as seriousness, simplicity as valid as complexity, joy as rational a response to one’s time as despair — and that they can and do exist together at the same time.”
“Doris Lee’s example shows us that humor can be as legitimate as seriousness, simplicity as valid as complexity, joy as rational a response to one’s time as despair — and that they can and do exist together at the same time.”
A collection of all the articles we’ve published over the past month, for those who like to savor their Magpies’ tidings as an issue.
As a flâneur of insatiable curiosity, he abandoned the main boulevards for the lushness of Riverside Park, the crowds at Madison Square, the excavation site for Pennsylvania Station, the kids at play on Coney Island, the private clubs where illegal boxing could be staged for paying members, and the “river rats” of the East River.
“Helen Levitt’s pictures haunt like intimate ghosts – ever present, never forceful, curious, receptive.”
“When you find other people who like to do what you like to do and have the same visions, you want to be with them. You feel like you’re doing something worthwhile.” – Emery Williams
All of the articles from the past month for people who like to savor their magpies’ tidings as an issue.
Listen to this neo-noir short story that features the Iowa State Police, a displaced bounty hunter, a broken farmer, and his local cop acquaintance caught in a Mexican stand-off in a gasoline-soaked corn field.
Pia De Girolamo shares a travelogue recounting observations and art from her trip to Vietnam.
“It’s art to cook, garden, dance, sing, play an instrument, and compose music. It’s art to create clothes from a piece of fabric or to “see” a piece of furniture within a pile of wood. If we have the chance to imprint our stylistic signature in what we do, we are present in the works produced, despite our absence.”
There are patterns all around us that we recognize in Jacobs’ work. Similarly, with music, we respond to sound waves, we can’t see them but they affect our emotions. Looking at Jacobs’ drawings, it feels that he’s captured something no one else has: A new way of looking at something that we always see but don’t always notice.