“He inscribed the slogan ‘use photography as a weapon,’ which underlines his faith in the impact of this new medium and its ability to denounce the perversities of the modern world: fascism, war and its atrocities, Nazism or capitalism.”
John Heartfield, photomontage as a political weapon
A Short Anti-Fascist Playlist
“To them, popular culture mattered, it was vibrant, and it was politically up for grabs.”
ANEW Artist’s Alliance Group Show
A Group show of the beautiful artwork of the ANEW Artist’s Alliance.
The Flickering Ghost: What Remains When the Projector Goes Dark?
“The greatest films, I have always believed, are empathy machines. They allow us to see the world through eyes that are not our own.” A beautiful love letter to cinema by Amir Zadnemat
The Enduring Power of Minnie Evans
“By making and sharing such an extraordinary body of work, Evans determined that her world would not be lost.”
The Smoking Fish (El pez que fuma, 1977)
“Frequently claimed by critics as the best Venezuelan film ever made, El pez que fuma, (1977) was produced in the midst of the Oil Boom era and has since become a potent metaphor for the decadence at the height of Venezuela’s economic splendor.”
January Issue, 2026
A collection of all the articles we’ve published over the past month, for those who like to savor their Magpies’ tidings as an issue.
Letter From the Editor, January 2026
Starting 2026 in a rambling sort of way.
Pipeline in My Pocket. The Waiting Game is Over
“On a more personal level, the work is also about dignity. About whose inner life is considered worth depicting and whose is treated as background noise. If that unsettles viewers or makes them feel implicated rather than reassured, that’s intentional.”
Ignorance and Want
his boy is Ignorance. This girl is Want. Beware them both, and all of their degree, but most of all beware this boy, for on his brow I see that written which is Doom …
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