We’re all gleaners, finding beauty and meaning and sustenance in the unlikely, the odd, the overlooked. We’re all magpies, lining our nests with beauty where we find it.
Letter from the Editor: January
Gleaning: Wasteland & The Gleaners and I
Both films are about excess and waste, beauty and love. They are about the strength and fragility of people – in body and spirit.
Harry Sternberg: Coal and Steel
This post is a tribute to the work and passion of an artist I almost missed…Seventy years after Sternberg marveled at the industrial might of Bethlehem Steel, I was there marveling at its decay
Things Were Never Normal
This exhibition highlights “third spaces”: components of an area’s social infrastructure, communal spaces outside of home and work such as taverns, church picnics, diners, restaurants, and movie theaters—sites where we might gather, if we could agree.
Il Sorpasso
The heart of the film is the unlikely friendship between Bruno and Roberto.
Thinking Makes it So: Platon Karataev and Epictetus
The harder his position became and the more terrible the future, the more independent of that position in which he found himself were the joyful and comforting thoughts, memories, and imaginings that came to him
Frédéric Carrayol: Lost Images From the Sink
This craftsman, as he likes to define himself, photographer and shooter, freezes a free and wild nature with the sandstone of his wanderings across the continents. Then he returned it on paper with coffee toning, complex emulsions and rare treatments.
Double-crusted Savory Pie (Vegetarian)
A perfect vegetarian holiday meal. It’s hearty and flavorful, and it has real center-of-the-plate, star-of-the-meal attention-grabbing qualities.
Featured Artist: Sharon VanStarkenburg
My work is blasphemous: I take symbols of proper, normative femininity and make them transgressive within contexts in which the female protagonists resist and reinvent their meanings.
Breaking Away & Seamus Heaney
It’s deceptively spare and simple in a manner that hides a genius of elegance and grace, which places it in the tradition of Ozu or Rohmer.
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