Gideon Leek rewatches King Vidor’s classic, in which a young man with big dreams moves to New York City and becomes an identical cog who learns to love the machine of modernity.
The Man and The Crowd (1928) Photography, Film, and Fate
Pat Perry: Mentor Wanted
“The flyer project is about confusion and uncertainty. I thought it might resonate with others as something open and vulnerable that doesn’t really prescribe any beliefs or answers.”
My Heart is in the Making of the Work: An Interview with Neal Rantoul
“My heart is in the making of the work, in every frame shot, in every failed and successful image made over now a long career.” An Interview With Neal Rantoul
The Strangely Familiar Art of Celia Reisman
I want my paintings to be worlds unto themselves, where you feel you are experiencing something for the first time even though it is familiar.” – Celia Reisman
Stella Bowen Self Portrait, an Ekphrastic Poem
Mike Ladd’s ekphrastic poem in response to Bowen’s courageous self-portrait.
October Issue, 2025
A collection of all the articles we’ve published over the past month, for those who like to savor their Magpies’ tidings as an issue.
Letter From the Editor, October, 2025: Build, Therefore, Your Own World
October ramblings.
Spotted Lanternfly: Glitter Beneath the Rot
In the late 1980s, a local study claimed that, “in Baltimore, there is rot beneath the glitter.” Through her comics, Amy aims to show that there is also glitter beneath the rot.
Sara Gómez: Her Contribution
“We are alone facing our historical consciousness — that makes us fully responsible, and so the reason for alienation has disappeared. Our work is creative, we live to create — to create something that will exist beyond time, beyond any possible existential anguish, like art. Is that clear?” Thoughts on the work of Cuban filmmaker Sara Gómez.
Big Bill Broonzy
The story of the remarkable Big Bill Broonzy’s life, music, and influence.
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