I am now forever connected to that city but not because of the house, because of the people and relationships that were forged over that time.
Was buying a house in Syria the brightest decision I ever made?
An Interview With Charis Ioannou
“The delivery of a seasoned jazz musician is often clear and confident even if the actual musical content is very complicated. This can also be translated into street photography: a complex scene should be portrayed with great clarity and often simplicity even if there are lots of intricate actions and nuances taking place.”
Living in the Past – An Interview With Kathy Toth
“I documented my work but also everything else I could find graffiti-wise, then the spaces where it always seemed to appear started piquing my interest. “
An Explanation of Sympathetic Magic: A Photo Essay
I too hope to raise the dead; only for me, it is symbolically through photography.
Auto Anthropology
“I know that part of my attraction to a lone old car on some quiet urban street or sitting out in the desert is because it plays into a fantasy of a time after the car.”
The Dowry: Federica Armstrong
The dowry becomes a cathartic process of mourning, remembrance and consolation.
Pennhurst: Abuse and Neglect
More and more, Pennhurst’s amazing true story is is becoming buried. I like to think my little film is helping keep it alive.
Fortunes in Apples: Photo Essay by Mark Ludak
“Photographing places particularly hard hit by the transition from an industrial and agrarian economy to an economy of unfettered consumption on the margins of mainstream society is a story I feel compelled to tell.”
Gordon Parks’ The Restraints, Open and Hidden
The way Parks presents his subjects, with so much affection and clarity, we feel that we love them, and this brings home the realities of fear and injustice in a new and powerful manner.
Peter Ydeen: Easton Nights
The night has its own visual rules, its own color wheel, and its own ethereal presence. Here, in the small hours, the world we see as mundane, cascades into dream.
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