Work that lies dormant and unseen is like the art we create in our dreams, so perfectly full of potential and possibility- glimpses into the memories of others and the collective memory of all of us.
Mark Cohen/Vivian Maier/Thierry Guetta
La Chinoise
“They talk about class struggle, they talk about the workers, but they never work. Except for Yvonne, one of two women in the group, who is constantly cleaning, and tells of her part-time work as a prostitute so that she can afford things.”
Film: The Mill Where Time Stood Still
This mill is not only the last standing Klotz mill, it is the last of its kind. Its doors were closed in 1957, and today it stands remarkably intact: 48,000 square feet of mill floor, 360 twisting, winding, and spinning machines, steam and drying chambers, and tons of parts and accessories – left exactly as they stood 56 years ago.
A Recipe for Remy’s Soup, (and why I love the movie Ratatouille)
But this film is about more than food, it’s about the desire to create, and food just happens to be Remy’s medium
The Two of Us
It’s so simple, in the end, it’s so raw and so sweet: to know one another and to love one another, this is what will wake us from the hypnosis.
Interview with filmmaker Ana Maria Vallejo
I think there is a rather subversive character of animation that can be used … as a strategy to take a reality, maybe an oppressive one, and show a different perspective over it, by the creation of other realities
My Pop Life: A Salty Dog – Procol Harum
Following the death of Gary Brooker at the age of 74 last week, I feel compelled to pay tribute to his finest song, or perhaps his second finest song. Obituaries have been full of praise for the songwriter and lead vocalist of Procol Harum, concentrating on his first celebrated hit single A Whiter Shade Of Pale which reached Number One in the UK singles charts in the Summer of Love, July 1967. This piece shines a spotlight on a lesser -known song which is nonetheless full of power and emotion.
Movies of Local People
The footage is beautifully relentless, streams of people in different cities leaving work and school, streams of people smiling at the camera. You wonder about all the thoughts in their head. The fears and loves and worries. You wonder about their lives before and after this moment.
Truffaut & Bazin & Renoir (why I love their love for one another)
In his introduction, Truffaut warns, “No one should expect me to introduce this book with caution, detachment, or equanimity. André Bazin and Jean Renoir have meant too much to me for me to be able to speak of them dispassionately.”
Ikiru (and why I love it)
In English “Ikiru” means “to live,” and for the rest of the film Watanbe examines what it means to be alive, what it means to be human, and what makes being alive valuable to him.
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