A collection of all the articles we’ve published over the past month, for those who like to savor their Magpies’ tidings as an issue.
February Issue, 2026
Magpies
I am a filmmaker, illustrator, graphic designer and copy editor.
Letter From the Editor, February, 2026: Elegy for a Dark-Eyed Junco
And here we are.
The Great Unknown and the Unknown Great: Rediscovering artist and political activist Chuzo Tamotsu
His art was “One small way to express my love for peace and hatred for war … is to do what I can for any victims of aggression, wherever they may be.”
The children are always ours
“The empire never intended that this testimony should be heard, but, if I hold my peace, the very stones will cry out… neither the citizen-subject within the gates nor the indescribable hordes outside it believe in the morality or the reality of the kingdom anymore — when no one, any longer, anywhere, aspires to the empire’s standards.”
John Heartfield, photomontage as a political weapon
“He inscribed the slogan ‘use photography as a weapon,’ which underlines his faith in the impact of this new medium and its ability to denounce the perversities of the modern world: fascism, war and its atrocities, Nazism or capitalism.”
A Short Anti-Fascist Playlist
“To them, popular culture mattered, it was vibrant, and it was politically up for grabs.”
ANEW Artist’s Alliance Group Show
A Group show of the beautiful artwork of the ANEW Artist’s Alliance.
The Flickering Ghost: What Remains When the Projector Goes Dark?
“The greatest films, I have always believed, are empathy machines. They allow us to see the world through eyes that are not our own.” A beautiful love letter to cinema by Amir Zadnemat
The Enduring Power of Minnie Evans
“By making and sharing such an extraordinary body of work, Evans determined that her world would not be lost.”
The Smoking Fish (El pez que fuma, 1977)
“Frequently claimed by critics as the best Venezuelan film ever made, El pez que fuma, (1977) was produced in the midst of the Oil Boom era and has since become a potent metaphor for the decadence at the height of Venezuela’s economic splendor.”
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