Yūrei, in their varied forms, are potent symbols of the simple and enduring universal human need for right over wrong.
I am a filmmaker, illustrator, graphic designer and copy editor.
Yūrei, in their varied forms, are potent symbols of the simple and enduring universal human need for right over wrong.
Although mass media and scholars regularly document, analyze, and interpret important events, such documentations and interpretations are seldom from the perspective of the common folk, el pueblo.
“Photography is enough in itself for existing, and so are the many advocacies of Bliss’ photography.”
A collection of all the articles we’ve published over the past month, for those who like to savor their Magpies’ tidings as an issue.
February ramblings.
“The lovely words ′human kindness′ have become so trivial […] and yet this should be the goal of our striving.”
Rossellni never looks away. He never flinches. But he never misses an opportunity to celebrate what’s good in humanity either.
We were grateful for the opportunity to ask Don Julien a few questions about his photography.
Photographer Ololade Koleosho believes that the lives of single mothers dwells somewhere on the “delicate balance between struggle and celebration.”
Historians of American art are engaged in a search for ways in which to speak meaningfully and broadly about contested traditions and about both the promises and limits of the country’s national iconography and history, to a nation fragmented along racial, ethnic, class, and religious lines.