It also reminds me that regardless of thoughtful preparations there is often a point – not always visible – that once passed steals your ability to shape the future, leaving you without alternative, a passenger on the deaf and indifferent winds of fate.
October ramblings.
A facinating article about a special category of miniature painting called ‘Ragamala,’ which is the pictorial representation of an Indian musical mode or melody which is called a ‘raga.’
“I deciphered the occasional splash of graffiti: alongside youthful declarations of love and football were vague revolutionary slogans: “Freedom is a Right”, “Liberty”, and “Just when I thought I was out, they pull me back in.”
“Pigments from a rock collected under her horse’s hooves are woven together with ochre earth pigments from France, the same ochres used by Van Gogh in his paintings of sunlit fields.” An interview with Santa Fe photographer and painter Stella Maria Baer by Alice Courtright
“How do visual representations of the past, or lack thereof, affect our perception of history? To what extent is our experience and understanding of the present shaped by a more intimate knowledge of past events?”
“When we got up the nerve to crack the door open, we were immediately met with the smell of air that hadn’t been smelled in a long time: a mix of dust, musk, and cedar — a whiff that gave a sense, even to a kid, of past lives and an odor that we didn’t experience in the city, where every space seemed to be in constant use and never remained closed off for long.”
Recent work from photographer Patrick Joust.
The Disappointed Tourist tries to create a level playing field in which personal losses and larger cultural losses can meet and be recognized and create a new conversation about our love for our physical environment, harnessing nostalgia to create empathy rather than division.
“Helen Levitt’s pictures haunt like intimate ghosts – ever present, never forceful, curious, receptive.”
magpiesmagazine.com 