From the moment Gonzalez made Mercutio real for me, I was inside the story, experiencing it as if for the first time. I was affronted: the cost of hate was too high, the sacrifice of youth beyond justifiable.
From the moment Gonzalez made Mercutio real for me, I was inside the story, experiencing it as if for the first time. I was affronted: the cost of hate was too high, the sacrifice of youth beyond justifiable.
I have long been fascinated with the motion of human hands. Gesture is one of my favorite languages. It’s oddly both universal and specific to one place at the same time.