A trip through the Met with Lauren Barnett
A trip through the Met with Lauren Barnett
“The wires of Dürer’s knots do, in a sense, chart the paths of entwined networks — of knowledge, commodities, cultural and material translation, repeating idealistically within a flourishing system.”
“Like everywhere we go, even a highway or a junk yard or a parking lot has something about it that you want to capture or remember. It’s nice to go through your day expecting to find beauty in odd places.”
In the late 1980s, a local study claimed that, “in Baltimore, there is rot beneath the glitter.” Through her comics, Amy aims to show that there is also glitter beneath the rot.
“Colour is the way that I seek to convey the total experience of a place — an experience that is only partly visual, but physical, emotional and built from memory as well.”
“The Lord with the curved trunk and a mighty body, who has the lustre of a million suns, I pray to thee Oh Lord, to remove the obstacles from all the actions I intend to perform.” An exploration of paintings of Ganesha from the Pahari school.
“Whatever had happened—the way the clouds moved, where the light shone, what was going through my head, that radiance—was another chapter in a story that began a half-century ago.”
There are patterns all around us that we recognize in Jacobs’ work. Similarly, with music, we respond to sound waves, we can’t see them but they affect our emotions. Looking at Jacobs’ drawings, it feels that he’s captured something no one else has: A new way of looking at something that we always see but don’t always notice.
Polly Pockets that Lauren Barnett would buy as an adult.
During the pandemic, Matt Cotten reflected on his time in Kilifi. He was finally able to return in September 2022. Here is the before and after.