“He inscribed the slogan ‘use photography as a weapon,’ which underlines his faith in the impact of this new medium and its ability to denounce the perversities of the modern world: fascism, war and its atrocities, Nazism or capitalism.”
From the station we walk past panel beaters, La Rosa tile factory, then up the hill by the river — and there it is, El Greco’s view of Toledo, on first glance hardly changed in over four hundred years.
These paintings symbolise the interconnectedness of all things, and that we live in a unified universe.
A moving tribute from one painter to another.
We make a connection between the religious-mathematical foundation of the Islamic form and its introduction into the Renaissance artistic world at a time when it seeks to develop geometric thought based on the new humanist mentality.
“I want the viewer to become part of the scene through memory and experience.” An interview with Pittsburgh painter Ron Donoughe.
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