Francois Truffaut: “Our New Wave would never have come into being if it hadn’t been for the young American Morris Engel, who showed us the way to independent production with his fine movie The Little Fugitive.”
Francois Truffaut: “Our New Wave would never have come into being if it hadn’t been for the young American Morris Engel, who showed us the way to independent production with his fine movie The Little Fugitive.”
The scenes of fall wildflowers seem accidental, and because we’re often alone with them, more intimate.
With collage, all things are possible. In this surreal realm of juxtaposition and fantasy, new worlds are born.
He went on eating greedily, and saying all the while: ‘How good they are! Do try one!’ It was hard and sour, but, as Poushkin said, the illusion which exalts us is dearer to us than ten thousand truths.
“Most of my traumatic moments, my lonely moments, my brave moments have been hidden inside my personal soundtrack. The music made it all bearable.”
“I am concerned about getting the idea on canvas. So I just go with the flow.”
It left me wondering: If attention leads to love, then what is the best way to love a wild thing? And if all living things are connected, what is my human role? How do I play my part?
They were at the height of their power, where they would stay for another 4 years. I was at the depths of my weakness, and forever afterward lived in fear of repeating it. I built my heart’s castle wall from the mud of Selmeston village. I wouldn’t start to unravel it until I was in my mid-fifties.
“L’intérieur du gateau doit rester moelleux.” Says my cook book. Oh yes, say I, the interior of the cake should stay soft!
I could imagine the filmmakers watching the dailies and brimming over with gladness that they’d captured the shots they’d captured, and then adding just the right soundtrack, editing it perfectly, and sitting in the dark, full of joy, watching the finished movie.