He hasn’t lost the love or the language, he’s just brought them down to earth. He’s using them to make the ordinary beautiful–rags, bones, broken bottles. And things as extraordinarily ordinary as aging, as remembering.
He hasn’t lost the love or the language, he’s just brought them down to earth. He’s using them to make the ordinary beautiful–rags, bones, broken bottles. And things as extraordinarily ordinary as aging, as remembering.
“The time has come, I believe, to listen in silence to our own song, to try to express our own personal vision, to define our own sensibility, to make our own way. Let us learn to look, let us learn to see, let us learn to feel.”
“I like to introduce something remarkable into ordinary, everyday circumstances because I think that there are always interesting things happening all around us––and sometimes some very surreal things.”
I want to capture the “ghosts” that inhabit this area and intertwine them with contemporary images.
The joy of sharing the fruits of our garden with my family in our wild and teeming summertime yard. Listening to music and talking, and feeling grateful for all of it.
All night long they clung to each other, bobbing on a sea of whisky and memories and dreams, lashed to a floating spar that sank and rose and sank and rose again.
A collection of all the articles we’ve published over the past month, for those who like to savor their Magpies’ tidings as an issue.
Creation as an act of remembering and remembering as an act of creation is the unofficial theme of our August issue.
“Maybe this meant something, maybe it didn’t.”
“I know that part of my attraction to a lone old car on some quiet urban street or sitting out in the desert is because it plays into a fantasy of a time after the car.”