A collection of all the articles we’ve published over the past month, for those who like to savor their Magpies’ tidings as an issue.
A collection of all the articles we’ve published over the past month, for those who like to savor their Magpies’ tidings as an issue.
Brilliant South African writer and editor Gershwin Wanneburg interviews Tidings of Magpies!
So the sense of the ephemeral quality of life and the knowledge that the present and soon-to-be-gone can inhabit the same frame may come to play in my work.
Light, space, scale, shifting light, and a new way to look at buildings you pass every day: A discussion with artist Mark Oliver.
“The delivery of a seasoned jazz musician is often clear and confident even if the actual musical content is very complicated. This can also be translated into street photography: a complex scene should be portrayed with great clarity and often simplicity even if there are lots of intricate actions and nuances taking place.”
“I documented my work but also everything else I could find graffiti-wise, then the spaces where it always seemed to appear started piquing my interest. “
New York City-based musician and pigeon-whisperer Parent Teacher discusses his newly released album Impending Doom. Articulate, timely, and beautifully observed, the album adroitly mixes humor with despair over the “complete breakdown of American society,” and remains addictively listenable throughout.
“People live and mark their existence in the silent voice of their remains.”
“I like to introduce something remarkable into ordinary, everyday circumstances because I think that there are always interesting things happening all around us––and sometimes some very surreal things.”
We quickly find ourselves in hypnagogic territory, sorting real, unreal, and surreal at the edges of a dream.