This is a painfully relevant film, and everyone should watch it.
This is a painfully relevant film, and everyone should watch it.
In our last issue we posted a tribute to artist Harry Sternberg, by Marc Reed. In the essay, Reed wrote, “Seventy years after Sternberg marveled at the industrial might of Bethlehem Steel, I was there marveling at its decay.” Sternberg also chronicled the power of “King Coal,” and Reed visited coal country decades later to record the depths of the industry’s decline. The result is a moving examination of the history of coal and of the lives of coal miners–promise and power turned to decay, captured in this short film.
We’re all gleaners, finding beauty and meaning and sustenance in the unlikely, the odd, the overlooked. We’re all magpies, lining our nests with beauty where we find it.
Both films are about excess and waste, beauty and love. They are about the strength and fragility of people – in body and spirit.
“I think I then immediately boxed my heart away and tightened the great padlock over my chest so that I couldn’t feel anything that would undermine or dissolve me…”
The heart of the film is the unlikely friendship between Bruno and Roberto.
A collection of all the articles we’ve published over the past month, for those who like to savor their Magpies’ tidings as an issue. We’re really honored this month to share photography from Paris, art from Ottawa, a brilliant article written in Tokyo about a Ugandan record label, along with beautiful poetry, memoir, and more.
It’s deceptively spare and simple in a manner that hides a genius of elegance and grace, which places it in the tradition of Ozu or Rohmer.
Francois Truffaut: “Our New Wave would never have come into being if it hadn’t been for the young American Morris Engel, who showed us the way to independent production with his fine movie The Little Fugitive.”
“Most of my traumatic moments, my lonely moments, my brave moments have been hidden inside my personal soundtrack. The music made it all bearable.”