“The empire never intended that this testimony should be heard, but, if I hold my peace, the very stones will cry out… neither the citizen-subject within the gates nor the indescribable hordes outside it believe in the morality or the reality of the kingdom anymore — when no one, any longer, anywhere, aspires to the empire’s standards.”
“He inscribed the slogan ‘use photography as a weapon,’ which underlines his faith in the impact of this new medium and its ability to denounce the perversities of the modern world: fascism, war and its atrocities, Nazism or capitalism.”
“To them, popular culture mattered, it was vibrant, and it was politically up for grabs.”
A Group show of the beautiful artwork of the ANEW Artist’s Alliance.
“The greatest films, I have always believed, are empathy machines. They allow us to see the world through eyes that are not our own.” A beautiful love letter to cinema by Amir Zadnemat
“By making and sharing such an extraordinary body of work, Evans determined that her world would not be lost.”
“Frequently claimed by critics as the best Venezuelan film ever made, El pez que fuma, (1977) was produced in the midst of the Oil Boom era and has since become a potent metaphor for the decadence at the height of Venezuela’s economic splendor.”
A collection of all the articles we’ve published over the past month, for those who like to savor their Magpies’ tidings as an issue.
Starting 2026 in a rambling sort of way.
“On a more personal level, the work is also about dignity. About whose inner life is considered worth depicting and whose is treated as background noise. If that unsettles viewers or makes them feel implicated rather than reassured, that’s intentional.”
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